The environmental artist Ned Kahn, a MacArthur Foundation “genius grant” awardee, gravitates toward phenomena that lie on the edges of what science can grasp—“things,” he tells me over the phone, “that are inherently complex and difficult to predict, yet at the same time beautiful.” The weather, for example, has, because of its chaotic yet orderly […]

Eileen Pollack, author of The Only Woman in the Room: Why Science Is Still a Boys’ Club, hinted at the complexity of the relationship between science and the soul in a recent essay: “We need scientists who recognize the reality of this illusion we still call the soul and artists who know how intimately […]

By 1967, Vladimir Nabokov had published 15 novels and novellas and six short story collections. But as he told the Paris Review that year, “It is not improbable that had there been no revolution in Russia, I would have devoted myself entirely to lepidopterology”—the study and classification of butterflies—“and never written any novels at all.” […]

Some time after he completed his first portrait, in 1909, Oskar Kokoschka realized that “in my haste, I painted only four fingers on the hand he lays across his chest.” He was referring to The Trance Player, a painting of his friend, an actor. “Did I forget to paint the fifth?” Kokoschka wondered. “In any […]

Felice Frankel lives between the lines. Along with being a part-time science photographer, she’s a researcher at the Center for Materials Science and Engineering at the Massachusetts Institute of Technology. “As a photographer,” Frankel says, “I look for edges.” Her previous career, as a photographer of architecture, taught her how to capture the most striking […]

Recently a Quebec arts foundation required the Francophone rap group Dead Obies to give back an $18,000 grant they’d been awarded to record their newest album. The problem? A word count determined that the group had stirred too much English into their distinctive multilingual lyrics, falling short of the rule that 70 percent of the […]